The Enhancing Audio Description II project seeks to explore the potential of sound design practices and spatial audio to provide accessible film and television experiences for visually impaired audiences. It fuses audio technology and creativity to widen the notion of media accessibility and increase the quality and quantity of provision, providing cutting edge techniques to the UK cultural sector.
Enhancing Audio Description II: implementing accessible, personalised and inclusive film and television
experiences for visually impaired audiences, is a project that proposes a new paradigm in accessible
experiences, in which there is not an overreliance on a narrator's spoken word, as in traditional Audio
Description practices. Instead it utilises new accessibility features that include: the addition of sound
effects, the spatialisation of dialogue and sounding objects, and first-person narration, to provide
accessible experiences that are seamlessly integrated to the soundtrack of a film or television programme.
These techniques are integrated into film and television workflows from the development phase up to final
delivery.
The project builds up from previous research which demonstrated the success of these methods, and explores
them even further, by concentrating on the conveyance of cinematographic elements through sound, the
exploration of the intricacies of using first-person narration across different genres and different cast
sizes, as well as exploring how spatialisation techniques can be adapted for multi-listener scenarios for a
variety of loudspeaker formats. The exploration of these methods will be conducted with an end-user centred
approach, in which visually impaired audiences are consulted from the design process up to delivery.
Furthermore, the project explores the creation of guidelines that will allow the incorporation of these
methods to professional broadcasting pipelines and film workflows, by collaborating with a Project Advisory
Panel representative of the different roles in film and television as well as end users.
Enhancing Audio Description II is funded by the Arts and Humanities Research Council, AH/V015583/1. The
first instance of the project was also possible thanks to the funding provided by the AHRC AH/N003713/1,
AH/N003713/2.
In this interview, Mariana interviewed Nwando Ebizie, an unclassifiable polymath, British Nigerian multidisciplinary artist. Nwando creates afrofuturist speculative fictions and alternate realities at the intersection of live art, experimental music, and multisensory installations. Find out more.
Chaimae had the chance to attend, for the very first time, ARSAD (Advanced Research Seminar on Audio Description) in Barcelona. The conference took place from the 19th to the 21st of March 2025, and it marked her first experience attending a conference as a researcher. Find out more.
In this interview, Mariana interviewed Sarah McDonagh, a researcher specialising in media accessibility, cultural heritage and sustainability. Find out more.
In this interview, Gonzalo, a freelance media accessibility expert, talks about challenges in describing contemporary performances, conveying complex ideas effectively by using audio introductions and metaphors and the connection between disability studies, queer and feminist translation. Find out more.
Emily Woods, our Summer 2022 intern, worked with RNIB to produce a report on how to enhance TV documentary AD based on interviews, focus groups and surveys. Among other things, participants mentioned that sound effects should be rich and clear as they can enhance understanding, and noted the importance of considering AD early on in the production process. Find out more.
In this episode Mariana interviewed Gabriela Ortiz from Percepciones Textuales. Based in Buenos Aires, she explores her work in the field of accessibility as well as the Argentinian and Latin American context. Find out more.
In this interview with Hasina Begum, Mariana reflects on her academic journey while discussing her research projects, including EAD, and shares insights on her approaches to equality and diversity, work-life balance, and prioritising wellbeing. Find out more.
We are delighted to announce that in September 2025 we will be hosting the Conference on Disability, Accessibility and Representation in the Creative Industries (DARCI) at the University of York (UK). Find out more.
In this episode Mariana interviewed Sanjit Samaddar a lecturer and researcher of interactive media with expertise linking user experience, design, and accessibility. Find out more.
We're excited to offer an internship opportunity titled 'Creative and Accessible Content Creation', focused on working to develop creative and accessible content to promote the EAD methods. Find out more.
In this episode Mariana interviewed Professor Hannah Thompson, a partially blind academic and activist whose work focuses on the intersections between critical disability studies and French studies. Find out more.
In this episode Mariana interviewed Michelle Duxbury, who challenges traditional art hierarchies by exploring identity, body & landscape through embroidery, film & installation, as a disabled/neurodivergent, and multidisciplinary artist from a working-class background. Find out more.
In this episode Mariana interviewed Ana Tamayo, whose research focuses on audiovisual translation and accessibility in different modalities, and specifically on media accessibility and minoritised languages, mostly Basque and sign languages. Find out more.
The EAD methods featured in The Mix Room with Genelec podcast. Find out more.
In this episode Mariana interviewed Jonathan Penny, who currently oversees the delivery of subtitles, audio description and signed content for Channel 4's linear and on-demand platforms. Find out more.
Our team carries out focus groups, interviews and other sessions on a regular basis. If you are visually impaired and are interested in participating you can sign up to our participants' mailing list below to find out about the opportunities available.
